Born: Frederick, Prince
of Wales, 1707, Hanover; Jean Jacques Barthelemy,
1716, Cassis.
Died: Cardinal Bembo,
1547; Rodolph II, emperor, 1612; Charles, first Duke
of Manchester, 1722; Charles VII, emperor, 1745; Sir
James Fergusson, 1759; Lord Chancellor Yorke, 1770;
David Garrick, 1779; John Howard, 1790.
Feast Day:
St. Fabian, pope, 250. St.
Sebastian, 288. St. Euthymius, 473. St. Fechin, abbot
in Ireland, 664: St. Fabian is a saint of the English
calendar.
ANNE OF AUSTRIA
This extraordinary woman,
daughter of Philip II of Spain and queen of Louis
XIII, exercised great influence upon the fortunes of
France, at a critical period of its history; thus in
part making good the witty saying,�that when queens
reign, men govern; and that when kings govern, women
eventually decide the course of events. Soon after the
marriage of Anne, the administration fell into the
hands of Cardinal Richelieu, who took advantage of the
coldness and gravity of the queen's demeanour to
inspire Louis with dislike and jealousy. Induced by
him to believe that the queen was at the head of a
conspiracy to get rid of him, Louis compelled her to
answer the charge at the council table, when her
dignity of character came to her aid; and she observed
contemptuously, that 'too little was to be gained by
the change to render such a design on her part
probable.'
Alienated from the king's affection and
council, the queen remained without influence till
death took away monarch and minister and left to Anne,
as mother of the infant monarch (Louis XIV), the
undisputed reins of power. With great discernment, she
chose for her minister, Mazarin, who was entirely
dependent upon her, and whose abilities she made use
of without being in danger from his ambition. But the
minister became unpopular: a successful insurrection
ensued, and Anne and the court were detained for a
time prisoners in the Palais Royal, by the mob. The
Spanish pride of the queen was compelled to submit,
and the people had their will. But a civil war soon
commenced between Anne, her ministers and their
adherents, on one side; and the noblesse, the citizens
and people of Paris, on the other. The former
triumphed, and hostilities were suspended; but the war
again broke out: the court had secured a defender in
Turenne, who triumphed over the young noblesse headed
by the great Cond�!
The nobles and middle classes
were never afterwards able to raise their heads, or
offer resistance to the royal power up to the period
of the great Revolution; so that Anne of Austria may
be said to have founded absolute monarchy in France,
and, not the subsequent imperiousness of Louis XIV.
Anne's portrait in the Vienna gallery shows her to
have been of pleasing exterior. Her Spanish
haughtiness and love of ceremonial were impressed by
education upon the mind of her son, Louis XIV', who
bears the blame and the credit of much that was his
mother's. She died at the age of sixty-four.
DEATH OF GARRICK
Garrick, who 'never had his
equal as an actor, and will never have a rival,' at
Christmas 1778, while on a visit to Lord Spencer, at
Althorpe, had a severe fit, from which he only
recovered sufficiently to enable him to return to
town, where he expired on the 20th of January 1779, in
his own house, in the centre of the Adelphi Terrace,
in his sixty-third year. Dr. Johnson said:
'his death eclipsed the gaiety of nations.'
Walpole,
in the opposite extreme:
'Garrick is dead; not a public loss;
for he had quitted the stage.'
Garrick's remains lay
in state at his house previous to their interment in
Westminster Abbey, with great pomp: there were not at
Lord Chatham's funeral half the noble coaches that
attended Garrick's, which is attributable to a
political cause. Burke was one of the
mourners, and
came expressly from Portsmouth to follow the great
actor's remains.
SIR JOHN SOANE
This successful architect died
at his house in Lincoln's Inn Fields, surrounded by
the collection of antiquities and artistic treasures
which he bequeathed to the British nation, as "the
Soanean Museum." He was a man of exquisite taste, but
of most irritable temperament, and the tardy
settlement of the above bequest to the country was to
him a matter of much annoyance. His remains rest in
the burial-ground of St. Giles's-in-the-Fields, St.
Pancras, where two tall cypresses overshadow his tomb.
At his death, the trustees appointed by parliament
took charge of the Museum, library, books, prints,
manuscripts, have cost �300. Garrick died in the back
drawing-room, drawings, maps, models, plans and works
of art. and the house and offices; providing for the
admission of amateurs and students in painting,
sculpture, and architecture; and general visitors. The
entire collection cost Scone upwards of �50,000.
THE FIRST PARLIAMENT
It was a great date for
England, that of the First Parliament. There had been
a Council of the great landholders, secular and
ecclesiastic, from Anglo-Saxon times; and it is
believed by some that the Commons were at least
occasionally and to some extent represented in it. But
it was during a civil war, which took place in the
middle of the thirteenth century, marvelously like
that which marked the middle of the seventeenth, being
for law against arbitrary royal power, that the first
parliaments, properly so called, were assembled.
Matthew of Paris, in his
Chronicle, first uses the word in reference to a
council of the barons in 1246. At length, in December
1261, when that extraordinary man,
Simon de Montfort Earl
of Leicester�a mediaeval Cromwell�held the weak King
Henry III in his power, and was really the head of the
state, a parliament was summoned, in which there
should be two knights for each county, and two
citizens for every borough; the first clear
acknowledgment of the Commons' clement in the state.
This parliament met on the 20th of January 1265, in
that magnificent hall at Westminster which still
survives, so interesting a monument of many of the
most memorable events of English history.
The representatives of the
Commons sat in the same place with their noble
associates, probably at the bottom of the hall, little
disposed to assert a controlling voice, not joining
indeed in any vote, for we hear of no such thing at
first, and far of course from having any adequate
sense of the important results that were to flow from
their appearing there that day. There, however, they
were�an admitted Power, entitled to be consulted in
all great national movements, and, above all, to have
a say in the matter of taxation. The summer months saw
Leicester overpowered, and himself and nearly all his
associates slaughtered; many changes afterwards took
place in the constitutional system of the country; but
the Commons, once allowed to play a part in these
great councils, were never again left out. Strange
that other European states of high civilization and
intelligence should be scarcely yet arrived at a
principle of popular representation, which England, in
comparative barbarism, realised for herself six
centuries ago!
THE COLDEST DAY IN THE CENTURY, JAN. 20, 1838
Notwithstanding the dictum of
M. Arago, that 'whatever may be the progress of the
sciences, never will observers who are trustworthy and
careful of their reputation, venture to foretell the
state of the weather,'�this pretension received a
singular support in the winter of 1838. This was the
first year in which. the noted Mr. Murphy published
his Weather Almanac; wherein his indication for
the 20th day of January is 'Fair. Prob. lowest deg. of
Winter temp.' By a happy chance for him, this proved
to be a remarkably cold day. At sunrise, the
thermometer stood at 4 below zero; at 9 a.m., +6; at
12 (noon), +14
; at 2 p.m.,
16
2
;
and then increased to 17
,
the highest in the day; the wind veering from the east
to the south.
The popular sensation of
course reported that the lowest degree of temperature
for the season appeared to have been reached. The
supposition was proved by other signal circumstances,
and particularly the effects seen in the vegetable
kingdom. In all the nursery-grounds about London, the
half-hardy, shrubby plants were more or less injured.
Herbaceous plants alone seemed little affected, in
consequence, perhaps, of the protection they received
from the snowy covering of the ground.
Two things may be here
remarked, as being almost unprecedented in the annals
of meteorology in this country: first, the thermometer
below zero for some hours; and secondly, a rapid
change of nearly fifty-six degrees. � Correspondent
of the Philosophical Magazine, 1838.
Still, there was nothing very
remarkable in Murphy's indication, as the coldest day
in the year is generally about this time (January 20).
Nevertheless, it was a fortunate hit for the weather
prophet, who is said to have cleared �3000 by that
year's almanac!
In Haydn's Dictionary of
Dates it is recorded: 'Perhaps the coldest day
ever known in London was December 25, 1796, when the
thermometer was 16 below
zero;' but contemporary authority for this statement
is not given.
SKATING
This seems a fair opportunity
of adverting to the winter amusement of skating, which
is not only an animated and cheerful exercise, but
susceptible of many demonstrations which may be called
elegant. Holland, which with its extensive water
surfaces affords such peculiar facilities for it, is
usually looked to as the home and birthplace of
skating; and we do not hear of it in England till the
thirteenth century. In the former country, as has been
remarked in an early page of this volume, the use of
skates is in great favour; and it is even taken
advantage of as a means of travelling, market-women
having been known, for a prize, to go in this manner
thirty miles in two hours. Opportunities for the
exercise are, in Britain, more limited. Nevertheless,
wherever a piece of smooth water exists, the due
freezing of its surface never fails to bring forth
hordes of enterprising youth to enjoy this truly
inviting sport.
Skating
has had its bone age before its iron one. Fitzstephen,
in his History of London, tells us that it was
customary in the twelfth century for the young men to
fasten the leg-bones of animals under their feet by
means of thongs, and slide along the ice, pushing
themselves by means of an iron-shod pole. Imitating
the chivalric fashion of the tournament, they would
start in a career against each other, meet, use their
poles for a push or a blow, when one or other was
pretty sure to be hurled down, and to slide a long way
in a prostrate condition, probably with some
considerable hurt to his person, which we may hope was
generally borne with good humour. In Moorfields and
about Finsbury, specimens of these primitive skates
have from time to time been exhumed, recalling the
time when these were marshy fields, which in winter
were resorted to by the youth of London for the
amusements which Fitzstephen describes. A pair
preserved in the British Museum is here delineated.
The iron age of
skating�whenever it might come�was an immense stride
in advance. A pair of iron skates, made in the best
modern fashion, fitted exactly to the length of the
foot, and, well fastened on, must be admitted to be an
instrument satisfactorily adapted for its purpose.
With unskilled skaters, who constitute the great
multitude, even that simple onward movement in which
they indulge, using the inner edge of the skates, is
something to be not lightly appreciated, seeing that
few movements are more exhilarating. But this is but
the walk of the art. What may be called the dance is a
very different thing. The highly trained skater aims
at performing a series of movements of a graceful
kind, which may be looked upon with the same pleasure
as we experience from seeing a fine picture. Throwing
himself on the outer edge of his instrument, poising
himself out of the perpendicular line in attitudes
which set off a handsome person to uncommon advantage,
he performs a series of curves within a certain
limited space, cuts the figure 8,the figure 3, or the
circle, worms and screws back-wards and forwards, or
with a group of companions goes through what he calls
waltzes and quadrilles. The calmness and serenity of
these movements, the perfect self-possession evinced,
the artistic grace of the whole exhibition, are sure
to attract bystanders of taste, including examples of
the fair, 'whose bright eyes Rain influence.'
Most
such performers belong to skating clubs,�fraternities
constituted for the cultivation of the art as an art,
and to enforce proper regulations. In Edinburgh, there
is one such society of old standing, whose favourite
ground is Duddingston Loch, under the august shadow of
Arthur's Seat. The writer recalls with pleasure
skating exhibitions which he saw there in the hard
winters early in the present century, when
Henry Cockburn and the
philanthropist James Simpson
were conspicuous amongst the most accomplished of the
club for their handsome figures and great skill in the
art. The scene of that loch 'in full bearing,' on a
clear winter day, with its busy stirring multitude of
sliders, skaters, and curlers, the snowy hills around
glistening in the sun, the ring of the ice, the shouts
of the careering youth, the rattle of the curling
stones and the shouts of the players, once seen and
heard, could never be forgotten.
In London, the amusements of
the ice are chiefly practised upon the artificial
pieces of water in the parks. On Sunday the 6th of
January 1861, during' an uncommonly severe frost, it
was calculated that of sliders and skaters, mostly of
the humbler grades of the population, there were about
6000 in St. James's Park, 4000 on the Round Pond in
Kensington Gardens, 25,000 in the Regent's Park, and
30,000 on the Serpentine in Hyde Park. There was, of
course, the usual proportion of heavy falls, awkward
collisions, and occasional immersions, but all borne
good-humouredly, and none attended with fatal
consequences. During the ensuing week the same pieces
of ice were crowded, not only all the day, but by
night also, torches being used to illuminate the
scene, which was one of the greatest animation and
gaiety. On three occasions there were refreshment
tents on the ice, with gay flags, variegated lamps,
and occasional fireworks; and it seemed as if half
London had come to look on from the neighbouring walks
and drives.
In these ice-festivals, as
usually presented in London, there is not much elegant
skating to be seen. The attraction of the scene
consists mainly in the infinite appearances of mirth
and enjoyment which meet the gaze of the observer.
The same frost period
occasioned a very remarkable affair of skating in
Lincolnshire. Three companies of one of the Rifle
Volunteer regiments of that county assembled on the
Witham, below the Stamp End Loch (December 29, 1860),
and had what might be called a skating parade of
several hours on the river, performing various
evolutions and movements in an orderly manner, and on
some occasions attaining a speed of fourteen miles an
hour. In that province, pervaded as it is by waters,
it was thought possible that, on some special
occasion, a rendezvous of the local troops might be
effected with unusual expedition in this novel way.
ST.
AGNES EVE
The feast of St. Agnes was
formerly held as in a special degree a holiday for
women. It was thought possible for a girl, on the eve
of St. Agnes, to obtain, by divination, a knowledge of
her future husband. She might take a row of pins, and
plucking them out one after another, stick them in her
sleeve, singing the whilst a paternoster; and thus
insure that her dreams would that night present the
person in question. Or, passing into a different
country from that of her ordinary residence, and
taking her right-leg stocking, she might knit the left
garter round it, repeating:
'I knit this knot, this
knot I knit,
To know the thing I know not yet,
That I may see
The man that shall my husband be,
Not in his best or worst array,
But what he weareth every day;
That I tomorrow may him ken
From among all other men.'
Lying down on her back that
night, with her hands under her head, the anxious
maiden was led to expect that her future spouse would
appear in a dream and salute her with a kiss.
On this superstition,
John
Keats founded his beautiful poem,
The Eve of St. Agnes,
of which the essence here follows:
'They told her how, upon
St. Agnes's Eve,
Young virgins might have visions of delight,
And soft adorings from their loves receive
Upon the honey'd middle of the night,
If ceremonies due they did aright;
As, supperless to bed they must retire,
And couch supine their beauties, lily white;
Nor look behind, nor sideways, but require
Of Heaven with upward eyes for all that they
desire.
'Out went the taper as she
hurried in;
Its little smoke, in pallid moonshine, died:
She closed the door, she panted, all akin
To spirits of the air, and visions wide.
No utter'd syllable, or, woe betide!
But to her heart, her heart was voluble,
'Paining with eloquence her balmy side;
As though a tongueless nightingale should swell
Her throat in vain, and die, heart-stifled, in her
dell.
'A casement high and
triple arced there was,
All garlanded with carver imag'rice
Of fruits, and flowers, and bunches of knot grass,
And diamended with panes of quaint device
Innumerable of stains and splendid dyes,
As are the tiger-moth's deep damask'd wings;
And in the midst, 'mong thousand heraldries,
And twilight saints, with dim emblazonings,
A shielded 'scutcheon blush'd with blood of queens
and kings.
Full on this casement
shone the wintry moon,
And threw warm gules on Madeline's fair breast,
As down she knelt for Heaven's grace and boon;
Rose-bloom fell on her hands, together prest,
And on her silver cross soft amethyst,
And on her hair a glory, like a saint.
Her vespers done,
Of all its wreathed pearls her hair she frees;
Unclasps her warmed jewels one by one;
Loosens her fragrant bodice; by degrees
Her rich attire creeps rustling to her knees:
Half-hidden, like a mermaid in sea-weed,
Pensive awhile she dreams awake, and sees,
In fancy, fair St. Agnes in her bed,
But dares not look behind, or all the charm is
fled.
Soon, trembling in her
soft and chilly nest,
In sort of wakeful swoon, perplex'd she lay;
Until the poppied warmth of sleep oppress'd
Her soothed limbs, and soul fatigued away;
Flown, like a thought, until the morrow day,
Blissfully haven'd both from joy and pain;
Clasp'd like a missal where swart Paynims pray;
Blinded alike from sunshine and from rain,
As though a rose should shut, and be a bud again.
Stol'n to this paradise,
and so entranced,
Porphyro gazed upon her empty dress,
And listened to her breathing.
He took her hollow lute,�
Tumultuous,�and, in chords that tenderest be,
He played an ancient ditty, long since mute,
In Provence call'd "La belle dame sans mercy:"
Close to her ear touching the melody;�
Wherewith disturb'd, she utter'd a soft moan:
He ceased�she panted quick--and suddenly
Her blue affrayed eyes wide open shone:
Upon his knees he sank, pale as smooth-sculptured
stone.
'Her eyes were open, but
she still beheld,
Now wide awake, the vision of her sleep:
There was a painful change, that nigh expell'd
The busses of her dream so pure and deep,
At which fair Madeline began to weep,
And moan forth witless words with many a sigh;
While still her gaze on Porphyro would keep;
Who knelt, with joined hands and piteous eye,
Fearing to move or speak. she look'd so
dreamingly.
"Ah, Porphyro! "said she,
"but even now
Thy voice was at sweet tremble in mine ear,
Made tuneable with every sweetest vow;
And those sad eyes were spiritual and clear:
How changed thou art! how pallid, chill, and
drear!
Give me that voice again, my Porphyro,
Those looks immortal, those complainings dear!
Oh, leave me not in this eternal woe,
For if thou diest, my love, I know not where to
go."
'Beyond a mortal man
impassion'd far
At these voluptuous accents, he arose,
Ethereal, flush'd, and like a throbbing star,
Seen 'mid the sapphire heaven's deep repose,
Into her dream he melted, as the rose
Blendeth its odour with the violet,
Solution sweet: meantime the frost-wind blows,
Like Love's alarum pattering the sharp sleet
Against the window-panes.
"Hark! 'tis an elfin-storm
from faery land,
Of haggard seeming, but a boon indeed.
Arise�arise! the morning is at hand;�
Let us away, my love, with happy speed.
And they are gone: ay,
ages long ago
These lovers fled away into the storm.'
January 21st